"The Curious Case of Benjamin Button: Postcards / Daisy’s Ballet Career" by Royal Philharmonic Orchestra was released on 2002. With this song being about 5 minutes long, at 4:52, "The Curious Case of Benjamin Button: Postcards / Daisy’s Ballet Career" by Royal Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Royal Philharmonic Orchestra's "Hollywood Blockbusters" album is number 9 out of 29. The Curious Case of Benjamin Button: Postcards / Daisy’s Ballet Career is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Curious Case of Benjamin Button: Postcards / Daisy’s Ballet Career by Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greensleeves | Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker | C Minor | 1 | 5A | 80 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): I. Allegro | Karoly Botvay | E Major | 1 | 12B | 95 BPM | ||
Dances with Wolves: The John Dunbar Theme (Arr. N. Raine for orchestra) | John Barry, Brian Thomson, Royal Philharmonic Orchestra, Paul Bateman | F Major | 3 | 7B | 86 BPM | ||
Sarabanda | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | F Minor | 4 | 4A | 124 BPM | ||
The Queen Symphony: II: Allegretto (Pastoral) (Love of My Life - Another One Bites the Dust - Killer Queen) | Tolga Kashif, Royal Philharmonic Orchestra, London Voices, London Oratory Boys' Choir, John Lenehan | G Minor | 1 | 6A | 94 BPM | ||
Tale as Old as Time - Instrumental / From "Beauty and the Beast" | London Music Works | F Minor | 1 | 4A | 168 BPM | ||
Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | A Minor | 0 | 8A | 79 BPM | ||
Never Say Goodbye (Adapted from "Pavane, M. 19") | Hayley Westenra | G Major | 2 | 9B | 132 BPM | ||
Largo from The New World Symphony | Antonín Dvořák, Grimethorpe Colliery Band | D♭ Major | 0 | 3B | 71 BPM | ||
Kate's Theme | Lennie Niehaus, Clint Eastwood | C Major | 0 | 8B | 101 BPM |
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