Handel, Paula Robison, Timothy Eddy, Kenneth Cooper made "Flute Sonata in B Minor, HWV 376 (Halle Sonata No. 3): i. Adagio" available on February 19, 2013. The duration of Flute Sonata in B Minor, HWV 376 (Halle Sonata No. 3): i. Adagio is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Flute Sonata in B Minor, HWV 376 (Halle Sonata No. 3): i. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Flute Sonata in B Minor, HWV 376 (Halle Sonata No. 3): i. Adagio is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Flute Sonata in B Minor, HWV 376 (Halle Sonata No. 3): i. Adagio by Handel, Paula Robison, Timothy Eddy, Kenneth Cooper is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Le Roi et la Comtesse | Stephen Warbeck | G Minor | 0 | 6A | 77 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Ode for the Birthday of Queen Anne, HWV74: iii. Let flocks and herds their fear forget (Andante) | Handel, Honor Sheppard, Mark Deller, Oriana Concert Choir, Oriana Concert Orchestra, Mary Thomas, Alfred Deller, Maurice Bevan | D Major | 3 | 10B | 93 BPM | ||
Concerto No. 3 in G Major, BWV 1048: I. Without Tempo Indication | Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder | F♯ Major | 1 | 2B | 83 BPM |
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