Wolfgang Amadeus Mozart, Ingvar Wixell, Jessye Norman, Mirella Freni, Yvonne Minton, BBC Symphony Orchestra, Sir Colin Davis's 'Le nozze di Figaro / Act 2: "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai"' came out on January 1, 1971. The duration of Le nozze di Figaro / Act 2: "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai" is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Le nozze di Figaro / Act 2: "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Ingvar Wixell, Jessye Norman, Wladimiro Ganzarolli, Mirella Freni, Sir Colin Davis's "Mozart: Le Nozze di Figaro (Complete Mozart Edition)" album is number 3 out of 44. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Le nozze di Figaro / Act 2: "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro / Act 2: "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai" by Wolfgang Amadeus Mozart, Ingvar Wixell, Jessye Norman, Mirella Freni, Yvonne Minton, BBC Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Simfonía concertant per a violí, viola i orquestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Orquestra De Cadaqués, Ludwig Mülller, Sir Neville Marriner, Caroline Harrison | C Minor | 0 | 5A | 88 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Romance in F Major, Op. 50 | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | F Major | 1 | 7B | 114 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Catherine Pierard, Andreas Schmidt, Sir Roger Norrington, London Classical Players | B♭ Major | 0 | 6B | 77 BPM |
Section: 0.7014985084533691
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