Big Boy
Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore
Architect of Soul Jazz Bill Jennings. The Complete Early Recordings 1951-1957
2:13 January 16, 2014
BPM
82
Key
D♭ Major
Camelot
3B

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Big Boy - Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore Information

Acousticness
37%
Danceability
66%
Energy
77%
Instrumentalness
89%
Liveness
8%
Loudness
85%
Speechiness
4%
Valence
97%
Popularity
Loudness
-8.752 dB

Summary

On January 16, 2014, the song "Big Boy" was released by Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore. The duration of Big Boy is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Big Boy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 52 in Architect of Soul Jazz Bill Jennings. The Complete Early Recordings 1951-1957 by Bill Jennings. Big Boy is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Big Boy BPM

The tempo marking of Big Boy by Bill Jennings, Leo Parker, Willis Jackson, Bill Doggett, James Orville Johnson, Andrew Johnson, Jack Wilson, Albert Jennings, Joe Williams, Jimmy Glover, George DeHart, Alvin Johnson, Nita Lore is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Big Boy Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5775856971740723

End: 0.5810720920562744