"Lachrimae Antiquae" by John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi was released on June 2, 2023. With this song being about 5 minutes long, at 4:33, "Lachrimae Antiquae" by John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi's "Lachrimae" album is number 1 out of 21. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Lachrimae Antiquae is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lachrimae Antiquae by John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Chaconne en sol majeur | Robert de Visée, Rolf Lislevand | F♯ Major | 1 | 2B | 121 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
String Sextet No. 1 OP. 1 | Guilherme da Fonseca, Guilherme Bernardo Fonseca da Silva | A♭ Minor | 2 | 1A | 173 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Mr. Langton's Galliard, P. 33: Mr Langton's Galliard, P. 33 | John Dowland, Nigel North | D♭ Minor | 1 | 12A | 76 BPM | ||
A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM |
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