Wolfgang Amadeus Mozart, Rolando Panerai, Luigi Alva, Nan Merriman, Elisabeth Schwarzkopf, Orchestra Del Teatro Alla Scala, Milano, Guido Cantelli's 'Così fan tutte, K. 588, Act I: Amor, il nume (Live)' came out on September 21, 2018. With Così fan tutte, K. 588, Act I: Amor, il nume (Live) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Nan Merriman, Luigi Alva, Rolando Panerai, Guido Cantelli's "Mozart: Così fan tutte, K. 588 (Live)" album is number 16 out of 48. On top of that, Italy appears to be the country where this track was created. The popularity of Così fan tutte, K. 588, Act I: Amor, il nume (Live) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, K. 588, Act I: Amor, il nume (Live) by Wolfgang Amadeus Mozart, Rolando Panerai, Luigi Alva, Nan Merriman, Elisabeth Schwarzkopf, Orchestra Del Teatro Alla Scala, Milano, Guido Cantelli to be Presto (very, very fast) because the track has a tempo of 189 BPM, a half-time of 94BPM, and a double-time of 378 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26 - III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Klavierstück in F Major, K. 33b | Wolfgang Amadeus Mozart, Lang Lang | D Major | 1 | 10B | 140 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem Geweih | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM |
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