Gabriel Tacchino, Aldo Ciccolini made "3 Petites pièces montées: No.2 Marche de Cocagne (Demarche)" available on July 30, 2013. With 3 Petites pièces montées: No.2 Marche de Cocagne (Demarche) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 212 in the song's album "Satie: Piano Works". In this album, this song's track order is #24. In terms of popularity, 3 Petites pièces montées: No.2 Marche de Cocagne (Demarche) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 3 Petites pièces montées: No.2 Marche de Cocagne (Demarche) by Gabriel Tacchino, Aldo Ciccolini having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Poulenc: Léocadia, FP 106: I. Les chemins de l'amour | Francis Poulenc, Gabriel Tacchino | C Major | 0 | 8B | 141 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Valse je te veux | Erik Satie, Gabriel Tacchino | A Major | 1 | 11B | 93 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
Fantasiestücke, Op. 12: I. Des Abends | Robert Schumann, Daniel Barenboim | F Major | 1 | 7B | 74 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Satie: 3 Morceaux en forme de poire: Manière de commencement. Allez modérément | Erik Satie, Aldo Ciccolini, Gabriel Tacchino | D Minor | 1 | 7A | 126 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |
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