4 Preludes: No. 3. The Holy Boy (version for chorus) - John Ireland, Lincoln Cathedral Choir, Aric Prentice Information

Acousticness: 99%
Danceability: 12%
Energy: 8%
Instrumentalness: 1%
Liveness: 10%
Loudness: 50%
Speechiness: 5%
Valence: 14%
Popularity: 1%
Loudness: -30.097 dB

Summary

"4 Preludes: No. 3. The Holy Boy (version for chorus)" by John Ireland, Lincoln Cathedral Choir, Aric Prentice had its release date on December 4, 2012. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. 4 Preludes: No. 3. The Holy Boy (version for chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Ireland, Lincoln Cathedral Choir, Aric Prentice's "Ireland: Church Music" album is number 17 out of 25. On top of that, Hong Kong appears to be the country where this track was created. 4 Preludes: No. 3. The Holy Boy (version for chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

4 Preludes: No. 3. The Holy Boy (version for chorus) BPM

We consider the tempo marking of 4 Preludes: No. 3. The Holy Boy (version for chorus) by John Ireland, Lincoln Cathedral Choir, Aric Prentice to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.

4 Preludes: No. 3. The Holy Boy (version for chorus) Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Three Songs, Op. 42: II. Vineta	Johannes Brahms, RIAS Kammerchor	D♭ Major	1	3B	106 BPM
Cherubic Hymn, No. 7	Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier	D Major	1	10B	86 BPM
The Bluebird	Charles Villiers Stanford, The Choral Project	B Major	0	1B	91 BPM
Requiem: II. Psalm 23	Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen	E Minor	2	9A	81 BPM
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule	Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber	G Major	2	9B	169 BPM
If Ye Love Me	Thomas Tallis, The King's Singers	F Major	1	7B	127 BPM
Eternal Father, Strong to Save (Arr. Michael Leighton Jones)	John Bacchus Dykes, Michael Leighton Jones, William Whiting, The Choir of Trinity College, Melbourne, Jonathan Bradley	G Major	2	9B	77 BPM
Set Me as a Seal	The Singers - Minnesota Choral Artists	D Major	1	10B	101 BPM
När natten skänker frid	Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg	D Minor	0	7A	139 BPM
We'll to the Woods No More (text by A.E. Housman): No. 3. Spring will not wait	John Ireland, Benjamin Luxon, Alan Rowlands	A Major	0	11B	103 BPM

ISRC: HKI191246817
Label: L-M Records/RCA Records