"II. Abtheilung: Gericht: I. No. 21 Recitativ des Johannes: Und da es das siebente Siegel aufthat ..." by Joachim Raff, Camerata Lipsiensis, Gregor Meyer, Andreas Wolf was released on February 16, 2024. With II. Abtheilung: Gericht: I. No. 21 Recitativ des Johannes: Und da es das siebente Siegel aufthat ... being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joachim Raff, GewandhausChor, Camerata Lipsiensis, Gregor Meyer's "Joachim Raff: Welt-Ende · Gericht · Neue Welt" album is number 1 out of 36. On top of that, Germany appears to be the country where this track was created. The popularity of II. Abtheilung: Gericht: I. No. 21 Recitativ des Johannes: Und da es das siebente Siegel aufthat ... is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Abtheilung: Gericht: I. No. 21 Recitativ des Johannes: Und da es das siebente Siegel aufthat ... by Joachim Raff, Camerata Lipsiensis, Gregor Meyer, Andreas Wolf to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: I. Andante con moto | Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon | B Major | 1 | 1B | 134 BPM | ||
10 Gesänge für gemischten Chor, Op. 198: No. 10, Nachtgruß vom Rhein | Joachim Raff, Basler Madrigalisten, Raphael Immoos | D Minor | 1 | 7A | 64 BPM | ||
Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Cologne Chamber Orchestra, Christian Ludwig | D Major | 1 | 10B | 84 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin | D♭ Major | 0 | 3B | 87 BPM | ||
Sargent Rag | Remersaro Trío | A♭ Major | 3 | 4B | 145 BPM | ||
Die Eifersuchtigen, WoO 54: Overture | Joachim Raff, Neeme Järvi, Orchestre de la Suisse Romande | C Major | 1 | 8B | 76 BPM | ||
II. Abtheilung: Gericht: VII. No. 27 Recitativ des Johannes: Und die Todten wurden gerichtet | Joachim Raff, Camerata Lipsiensis, Gregor Meyer, Andreas Wolf | D♭ Minor | 1 | 12A | 89 BPM |
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