Tasmanian Symphony Orchestra, Andrew Greene's 'Ruddigore: The Ghosts' High Noon' came out on October 5, 2012. The duration of Ruddigore: The Ghosts' High Noon is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Ruddigore: The Ghosts' High Noon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 19 out of 25. Based on our statistics, Ruddigore: The Ghosts' High Noon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ruddigore: The Ghosts' High Noon by Tasmanian Symphony Orchestra, Andrew Greene to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Advance Australia Fair - Verse 1, Full Chorus | Peter Dodds McCormick, Robert Hughes, Tasmanian Symphony Orchestra Chorus, Marc Taddei, Tasmanian Symphony Orchestra | B♭ Major | 3 | 6B | 88 BPM | ||
Cantus in memoriam Benjamin Britten | Arvo Pärt, Tasmanian Symphony Orchestra, Ola Rudner | A Minor | 2 | 8A | 89 BPM | ||
Mary, Mary Quite Contrary | ABC for Babies, Tasmanian Symphony Orchestra | G Major | 2 | 9B | 68 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Canon and Gigue in D Major, P. 37: 1. Canon | Johann Pachelbel, Adelaide Symphony Orchestra, David Stanhope | D Major | 1 | 10B | 101 BPM | ||
Variation XVIII | Sergei Rachmaninoff, Philharmonia Orchestra, Leonard Slatkin, Evelyn Chen | D♭ Major | 1 | 3B | 82 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM |
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