Messager: The Two Pigeons, Act 1: The Gypsies Leave - Finale
André Messager, Bournemouth Symphony Orchestra, John Lanchbery
Messager: Les deux pigeons
4:01 January 1, 1984
BPM
130
Key
A♭ Major
Camelot
4B

Embed

Share Link

Messager: The Two Pigeons, Act 1: The Gypsies Leave - Finale - André Messager, Bournemouth Symphony Orchestra, John Lanchbery Information

Acousticness
93%
Danceability
17%
Energy
3%
Instrumentalness
70%
Liveness
8%
Loudness
57%
Speechiness
4%
Valence
4%
Popularity
Loudness
-25.761 dB

Summary

"Messager: The Two Pigeons, Act 1: The Gypsies Leave - Finale" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 13 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 1: The Gypsies Leave - Finale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messager: The Two Pigeons, Act 1: The Gypsies Leave - Finale BPM

We consider the tempo marking of Messager: The Two Pigeons, Act 1: The Gypsies Leave - Finale by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.

Messager: The Two Pigeons, Act 1: The Gypsies Leave - Finale Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Véronique - opéra comique / Acte III: Oh, ciel ! by André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Marcel CarpentierVéronique - opéra comique / Acte III: Oh, ciel !André Messager, Pierre Dervaux, Orchestre Pierre Dervaux, Genevieve Moizan, Geori Boue, Mary Marquet, Marcel CarpentierE Minor29A75 BPM
Sylvia: Act I: Prelude by Léo Delibes, Razumovsky Symphony Orchestra, Andrew MogreliaSylvia: Act I: PreludeLéo Delibes, Razumovsky Symphony Orchestra, Andrew MogreliaC Major08B61 BPM
Poulenc: Clarinet Sonata, FP 184: II. Romanza by Francis Poulenc, Sabine MeyerPoulenc: Clarinet Sonata, FP 184: II. RomanzaFrancis Poulenc, Sabine MeyerG Minor06A67 BPM
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) by Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony OrchestraViolin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo)Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony OrchestraB♭ Major16B97 BPM
Messager: The Two Pigeons, Act 1: Theme and Variations. Gypsy Girl's Solo - Coda by André Messager, Bournemouth Symphony Orchestra, John LanchberyMessager: The Two Pigeons, Act 1: Theme and Variations. Gypsy Girl's Solo - CodaAndré Messager, Bournemouth Symphony Orchestra, John LanchberyA♭ Major04B130 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: III. Allegro, ma non tantoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major210B112 BPM
Serenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiaco by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von KarajanSerenade for String Orchestra in C Major, Op. 48, TH. 48: III. Elégie: Larghetto elegiacoPyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von KarajanF Minor14A62 BPM
Mahler: Symphony No. 2, Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) -Gustav Mahler, Sir Simon Rattle, Berliner PhilharmonikerF♯ Major02B122 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerPelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderatoCharles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerE Major112B94 BPM
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) by Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia OrchestraDie lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna)Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia OrchestraG Major19B85 BPM
ISRC
GBAYD8300362
Label
L-M Records/RCA Records

Section: 0.7027666568756104

End: 0.7087924480438232