"Messe à trois voix égales: IV. Agnus Dei" by Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz was released on March 4, 2016. The duration of Messe à trois voix égales: IV. Agnus Dei is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Messe à trois voix égales: IV. Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Schola Aeterna - Chants à la vierge". In this album, this song's track order is #17. Furthermore, we believe that the track originated from France. Messe à trois voix égales: IV. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messe à trois voix égales: IV. Agnus Dei by Guy Ropartz, Ensemble Vocal de Lausanne, Michel Corboz having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | B♭ Major | 1 | 6B | 87 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Requiem: Sanctus | Guy Ropartz, Catherine Dubosc, Jacqueline Mayeur, Michel Piquemal, Ensemble Instrumental Jean-Walter Audoli, Chœur régional Vittoria d'Ile de France | B Major | 1 | 1B | 81 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Deux Danses à Agni Yavishta, JA 77: No. 1 | Jehan Alain, Marie-Claire Alain | A♭ Major | 1 | 4B | 75 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Introduction | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | D Minor | 0 | 7A | 89 BPM |
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