Eric Schmidt, Jonathan Rosenberg made "Kapitel 70.2 & Kapitel 71.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 70.2 & Kapitel 71.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:27. Based on our data, "Kapitel 70.2 & Kapitel 71.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #97 out of 137 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 70.2 & Kapitel 71.1 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 70.2 & Kapitel 71.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 70.2 & Kapitel 71.1 - Wie Google tickt - How Google Works being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM | ||
Requiem, Op. 48: 6. Libera me | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Gérard Souzay, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | D♭ Major | 3 | 3B | 79 BPM | ||
Kapitel 41.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A♭ Major | 2 | 4B | 39 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima Christiana | Edward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-Williams | D Major | 0 | 10B | 85 BPM | ||
Giulio Cesare in Egitto, HWV 17, Atto I, Scena 4: "Priva son d'ogni conforto" | George Frideric Handel, Bernarda Fink, René Jacobs, Concerto Köln | D♭ Major | 1 | 3B | 178 BPM |
Section: 0.6611950397491455
End: 0.665879487991333