Symphony No. 5, "Hiroshima": VII. Atomic Desert: Boundless desert with skulls - Masao Ohki, New Japan Philharmonic Orchestra, Takuo Yuasa Information

Acousticness: 78%
Danceability: 15%
Energy: 5%
Instrumentalness: 41%
Liveness: 34%
Loudness: 41%
Speechiness: 5%
Valence: 4%
Popularity: 1%
Loudness: -35.249 dB

Summary

"Symphony No. 5, "Hiroshima": VII. Atomic Desert: Boundless desert with skulls" by Masao Ohki, New Japan Philharmonic Orchestra, Takuo Yuasa was released on October 31, 2006. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Ohki: Japanese Rhapsody / Symphony No. 5, 'Hiroshima'". In this album, this song's track order is #8. Symphony No. 5, "Hiroshima": VII. Atomic Desert: Boundless desert with skulls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 5, "Hiroshima": VII. Atomic Desert: Boundless desert with skulls BPM

With Symphony No. 5, "Hiroshima": VII. Atomic Desert: Boundless desert with skulls by Masao Ohki, New Japan Philharmonic Orchestra, Takuo Yuasa having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Symphony No. 5, "Hiroshima": VII. Atomic Desert: Boundless desert with skulls Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre	Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker	A Major	1	11B	70 BPM
Estancia, Op. 8: Scene 5, El Amanecer - Escena	Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo	B♭ Major	1	6B	140 BPM
Entangled Tales, for Large Orchestra	Robin de Raaff, Residentie Orkest The Hague, Neeme Järvi, The Hague Philharmonic	E Major	2	12B	104 BPM
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": I. Introduction	Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen	A Major	0	11B	66 BPM
The Wooden Prince, Sz. 60 (Final Version): VII. Third Dance - Dance of the Waves	Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard	F Major	4	7B	154 BPM
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror	Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi	A Major	2	11B	105 BPM
3 Places in New England: No. 1 The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)	Charles Ives, Orpheus Chamber Orchestra, Gilbert Kalish	A Minor	0	8A	75 BPM
Allegro Scherzino : Flying - Orchestral Version	José Manuel Ortega Caballo	A Major	2	11B	85 BPM
Pacific 231	Arthur Honegger, WDR Sinfonieorchester Köln, Stéphane Denève	B♭ Minor	2	3A	130 BPM
The Tempest: Suite No. 2, Op. 109: IV. Prospero	Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari	E Major	0	12B	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7719769477844238

End: 0.7764620780944824