Luis Pascual Frutos, Pablo Luna, Marcos Redondo's 'Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered' came out on March 31, 2014. The duration of Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered by Luis Pascual Frutos, Pablo Luna, Marcos Redondo is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act I: Scène. Grands dieux ! Soutenez ma faiblesse | Gaspare Spontini, Marina Rebeka, Aude Extrémo, Stanislas de Barbeyrac, Tassis Christoyannis, Nicolas Courjal, David Witczak, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
La Rosa del Azafrán: Canción del Sembrador | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Verdi: La traviata, Act 1: "Un dí felice, eterea" (Alfredo, Violetta) | Giuseppe Verdi, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 2 | 7B | 93 BPM | ||
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
Il trovatore: Ah! sì, ben mio | Giuseppe Verdi, Vida Miknevičiūtė, José Simerilla Romero, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 88 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Primer Acte: Qui em Compra Vellanes | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 2 | 7B | 85 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Segon Acte: Duet tu m'estimes | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | G Major | 1 | 9B | 120 BPM |
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