"Serse, HWV 40, Act I: Ombra mai fu" by George Frideric Handel, Malakai, London Mozart Players, Scott Price was released on July 21, 2023. The duration of Serse, HWV 40, Act I: Ombra mai fu is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Serse, HWV 40, Act I: Ombra mai fu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Malakai's "Golden" album is number 4 out of 8. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Serse, HWV 40, Act I: Ombra mai fu is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse, HWV 40, Act I: Ombra mai fu by George Frideric Handel, Malakai, London Mozart Players, Scott Price to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
An Irish Blessing | Alexander L'Estrange, Tenebrae, James Sherlock, Nigel Short | C Major | 0 | 8B | 74 BPM | ||
Nocturno | Lola & Hauser | B♭ Major | 2 | 6B | 128 BPM | ||
The Moldau Piano Variation (From Ma Vlast, JB 1:112, Arr. for Piano by Svetoslav Karparov) | Bedřich Smetana, Gabriele Bagnati | E Minor | 2 | 9A | 116 BPM | ||
Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | D Major | 1 | 10B | 64 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio | Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 110 BPM |
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