Lady Be Good - Alternate Take
Lee Konitz, Gerry Mulligan Quartet
Konitz Meets Mulligan
1:54 January 1, 1957
BPM
135
Key
G Minor
Camelot
6A

Embed

Share Link

Lady Be Good - Alternate Take - Lee Konitz, Gerry Mulligan Quartet Information

Acousticness
86%
Danceability
67%
Energy
26%
Instrumentalness
4%
Liveness
8%
Loudness
80%
Speechiness
22%
Valence
87%
Popularity
Loudness
-11.983 dB

Summary

On January 1, 1957, the song "Lady Be Good - Alternate Take" was released by Lee Konitz, Gerry Mulligan Quartet. With Lady Be Good - Alternate Take being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Art Farmer, Clifford Brown, Various Artists, Lee Konitz, Gerry Mulligan Quartet's "Konitz Meets Mulligan" album is number 12 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Lady Be Good - Alternate Take's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Lady Be Good - Alternate Take BPM

We consider the tempo marking of Lady Be Good - Alternate Take by Lee Konitz, Gerry Mulligan Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Lady Be Good - Alternate Take Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
East Thirty-Second Street by Lennie TristanoEast Thirty-Second StreetLennie TristanoA♭ Major44B129 BPM
Kinda Vague by Blue MitchellKinda VagueBlue MitchellF Minor14A89 BPM
I Didn't Know What Time It Was - Remastered by Sonny Clark TrioI Didn't Know What Time It Was - RemasteredSonny Clark TrioD Minor37A173 BPM
Vertigo - Remastered by Jackie McLeanVertigo - RemasteredJackie McLeanF Minor64A145 BPM
Teru - Rudy Van Gelder Edition/2000 Digital Remaster/24 Bit Mastering by Wayne ShorterTeru - Rudy Van Gelder Edition/2000 Digital Remaster/24 Bit MasteringWayne ShorterG Minor16A107 BPM
I'm Glad There Is You by Duke PearsonI'm Glad There Is YouDuke PearsonF Major27B133 BPM
All Of Me by Lee KonitzAll Of MeLee KonitzD♭ Major63B126 BPM
All Or Nothing At All - Take 2 by John Coltrane QuartetAll Or Nothing At All - Take 2John Coltrane QuartetG Major49B94 BPM
Barry's Bop by Fats NavarroBarry's BopFats NavarroF Major57B115 BPM
Elande No. 1 (F#) by Dan Tepfer, Lee KonitzElande No. 1 (F#)Dan Tepfer, Lee KonitzF♯ Major22B67 BPM
ISRC
USBN28700484
Label
L-M Records/RCA Records

Section: 0.5099201202392578

End: 0.5142664909362793