ジョン・アダムス, Joe Hisaishi, ミュージック・フューチャー・バンド, マルコス・ペレス・ミランダ made "Gnarly Buttons for Clarinet and Small Orchestra (1996): 2. Hoedown (Mad Cow)" available on October 20, 2021. Gnarly Buttons for Clarinet and Small Orchestra (1996): 2. Hoedown (Mad Cow) is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There is only one song in 久石譲 presents ミュージック・フューチャーV, so we believe that "Gnarly Buttons for Clarinet and Small Orchestra (1996): 2. Hoedown (Mad Cow)" is a single. Based on our statistics, Gnarly Buttons for Clarinet and Small Orchestra (1996): 2. Hoedown (Mad Cow)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gnarly Buttons for Clarinet and Small Orchestra (1996): 2. Hoedown (Mad Cow) by ジョン・アダムス, Joe Hisaishi, ミュージック・フューチャー・バンド, マルコス・ペレス・ミランダ is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glistening Grimoires | Super Sound Studio | F♯ Major | 2 | 2B | 81 BPM | ||
Flourish Forever | Fiona Ubong | B♭ Minor | 1 | 3A | 66 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM | ||
Rêve (Version for String Quintet) | Alfredo D'Ambrosio, Archos Quartet, Mio Tamayama | E♭ Major | 1 | 5B | 72 BPM | ||
Devotion / Binoculars | Bernard Herrmann, Fernando Velázquez, Basque National Orchestral | D Minor | 4 | 7A | 79 BPM | ||
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
ウィーンの音楽時計 〜組曲「ハーリー・ヤーノシュ」から〜 | Kazuo Yamada, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
Scenes from the Epic of Gilgamesh: I. Prologue | Robert Saxton, English Symphony Orchestra, Kenneth Woods | A Minor | 1 | 8A | 117 BPM |
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