"Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace" by Vagn Holmboe, Ole Edvard Antonsen, Max Artved, Tim Frederiksen, Jacques Mauger, Danish Radio Sinfonietta, Hannu Koivula was released on September 29, 1998. With this song being about 5 minutes long, at 5:22, "Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace" by Vagn Holmboe, Ole Edvard Antonsen, Max Artved, Tim Frederiksen, Jacques Mauger, Danish Radio Sinfonietta, Hannu Koivula is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Vagn Holmboe's "Holmboe: Chamber Concertos Nos. 10-13" album is number 12 out of 18. On top of that, Denmark appears to be the country where this track was created. Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chamber Concerto No. 11, Op. 44: III. Finale: Allegretto, ma vivace by Vagn Holmboe, Ole Edvard Antonsen, Max Artved, Tim Frederiksen, Jacques Mauger, Danish Radio Sinfonietta, Hannu Koivula to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 2 | 8B | 114 BPM | ||
Higgins: Sonata for Alto Trombone I:II | Timothy Higgins, Tim Higgins, Sophia Kim Cook | B♭ Major | 0 | 6B | 125 BPM | ||
The Closed Courtyard | Aigars Raumanis, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Sinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misurato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | G Major | 2 | 9B | 85 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
String Quartet No. 2, Op. 47: I. Allegro fluente | Vagn Holmboe, Kontra Quartet | B♭ Major | 1 | 6B | 87 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: III. Allegro - Allegretto | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM |
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