Concerto For 2 Keyboards in C Minor, BWV 1060: II. Largo ovvero adagio - Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach Information

Acousticness: 64%
Danceability: 40%
Energy: 16%
Instrumentalness: 0%
Liveness: 21%
Loudness: 54%
Speechiness: 3%
Valence: 52%
Popularity: 3%
Loudness: -27.427 dB

Summary

Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach made "Concerto For 2 Keyboards in C Minor, BWV 1060: II. Largo ovvero adagio" available on September 20, 2000. With this song being about 5 minutes long, at 5:21, "Concerto For 2 Keyboards in C Minor, BWV 1060: II. Largo ovvero adagio" by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach: Harpsichord Concertos III" album is number 2 out of 15. Concerto For 2 Keyboards in C Minor, BWV 1060: II. Largo ovvero adagio is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Concerto For 2 Keyboards in C Minor, BWV 1060: II. Largo ovvero adagio BPM

We consider the tempo marking of Concerto For 2 Keyboards in C Minor, BWV 1060: II. Largo ovvero adagio by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Concerto For 2 Keyboards in C Minor, BWV 1060: II. Largo ovvero adagio Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
24 Caprices en formes d'etudes: No. 2 in A Minor	Pierre Rode, Axel Strauss	A Minor	2	8A	83 BPM
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante	Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni	C Minor	0	5A	84 BPM
Overture (Suite) In C Major, TWV 55: C6: VIII. Gigue	Cologne Chamber Orchestra, Georg Philipp Telemann	C Major	2	8B	81 BPM
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto	Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra	D Minor	3	7A	82 BPM
Ciacona in G Minor, Z. 730	Henry Purcell, Orpheus Chamber Orchestra, Edward Brewer	G Minor	1	6A	138 BPM
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro	Arcangelo Corelli, Jordi Savall, Le Concert Des Nations	D♭ Major	3	3B	133 BPM
Trumpet Concerto in D Major, G. 28: I. Allegro	Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr	A♭ Major	2	4B	95 BPM
Gavotte (Paride ed Elena)	Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio	A Major	0	11B	98 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses	François Couperin, Alexandre Tharaud	B♭ Major	1	6B	111 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6543669700622559

End: 0.6593480110168457