"Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena)" by George Frideric Handel, Claudio Scimone, I Solisti Veneti was released on April 29, 2008. With this song being about 5 minutes long, at 4:34, "Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena)" by George Frideric Handel, Claudio Scimone, I Solisti Veneti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena)" is a single. The popularity of Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) by George Frideric Handel, Claudio Scimone, I Solisti Veneti is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Music for the Royal Fireworks (arr. piano) | Music Lab Collective, George Frideric Handel | D Major | 0 | 10B | 122 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Concerto No. 4 in G major, BWV 1049: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester | D Minor | 0 | 7A | 135 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM |
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