On January 1, 2006, the song "Father Night" was released by Tim O'Brien. The duration of Father Night is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Father Night's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Red On Blonde". In this album, this song's track order is #5. In terms of popularity, Father Night is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Father Night by Tim O'Brien having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fields of Gold | Danny Burns, Tim O'Brien | F Major | 4 | 7B | 98 BPM | ||
Onwards | Mile Twelve | B Major | 6 | 1B | 153 BPM | ||
More Love | Darrell Scott, Tim O'Brien | E Major | 4 | 12B | 137 BPM | ||
Lonesome Old River Blues | Dom Flemons | A Major | 3 | 11B | 98 BPM | ||
Blue Train | The Nashville Bluegrass Band | F♯ Minor | 3 | 11A | 126 BPM | ||
Weary Blues From Waiting | Darrell Scott, Tim O'Brien | B♭ Major | 3 | 6B | 101 BPM | ||
Wouldn't Be the First Time | Kieran Kane, Rayna Gellert | C Major | 1 | 8B | 171 BPM | ||
As Good as It Gets | Wood & Wire | B♭ Major | 6 | 6B | 165 BPM | ||
Everything Is Broken | Tim O'Brien | B Minor | 6 | 10A | 137 BPM | ||
Where the Wild River Rolls | Special Consensus | F♯ Minor | 7 | 11A | 93 BPM |
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