"The Path" by Gustavo Santaolalla was released on February 27, 2023. With The Path being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 66 in the song's album "The Last of Us: Season 1 (Soundtrack from the HBO Original Series)". In this album, this song's track order is #66. Furthermore, we believe that the track originated from United States. In terms of popularity, The Path is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Path by Gustavo Santaolalla having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Duel | Harry Gregson-Williams | F Minor | 2 | 4A | 139 BPM | ||
Father | Olivier Deriviere | D Minor | 1 | 7A | 160 BPM | ||
Back to the Badlands | Daniel Ciurlizza | G Major | 2 | 9B | 115 BPM | ||
I Loved You First | Benjamin Wallfisch | G Major | 2 | 9B | 71 BPM | ||
All That We Are | Audiomachine | D Major | 5 | 10B | 128 BPM | ||
First Day of Filming | Scott Michael Smith, Michael Dean Parsons | E Minor | 2 | 9A | 182 BPM | ||
Viva Clara | Pedro Bromfman | E♭ Minor | 2 | 2A | 79 BPM | ||
I'm Scared Too | Steven Price | C Minor | 2 | 5A | 90 BPM | ||
All Gone (Aftermath) | Gustavo Santaolalla, Alan Umstead | E Minor | 1 | 9A | 38 BPM | ||
Korra Alone | Jack Dalton | C Minor | 1 | 5A | 120 BPM |
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