"8 Songs, Op. 11: I. Stemming" by Wilhelm Peterson-Berger, Junges Vokalensemble Hannover, Klaus-Jurgen Etzold was released on December 1, 1999. The duration of 8 Songs, Op. 11: I. Stemming is about 3 minutes long, at 3:12. Based on our data, "8 Songs, Op. 11: I. Stemming" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Skandinavische Chormusik". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. 8 Songs, Op. 11: I. Stemming is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Songs, Op. 11: I. Stemming by Wilhelm Peterson-Berger, Junges Vokalensemble Hannover, Klaus-Jurgen Etzold having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
4 Psalms, Op. 74: No. 4, I Himmelen (In Heaven above) | Edvard Grieg, Audun Iversen, Bård Bratlie, The Norwegian Soloists' Choir, Grete Pedersen-Helgerod | A Minor | 0 | 8A | 128 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
2 Swedish Folk-Melodies, Op. 27: No. 2 Du gamla, du friska, du fjellhoga Nord: Moderato | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 63 BPM | ||
Suite im alten Stil, Op. 10: Adagio | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 94 BPM | ||
Frösöblomster (Flower of Frösö) - Volume 1: Lawn Tennis | Wilhelm Peterson-Berger, Lars Roos | B♭ Major | 2 | 6B | 84 BPM | ||
Drick ur ditt glas, ep. 30 | Carl Michael Bellman, Drottningholm Chamber Orchestra, Stig Westerberg | B Minor | 1 | 10A | 84 BPM | ||
Koppången | Orsa Spelmän | D Major | 2 | 10B | 134 BPM | ||
Forkladd gud (The Disguised God), Op. 24: Välsignelse följer i gudarnas spår … (Blessings follow in the wake of the gods …) (Chorus) | Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | G Major | 2 | 9B | 115 BPM | ||
Folklig vals nr 2 | Lille Bror Söderlundh, Göteborg Wind Orchestra, Jerker Johansson | G Major | 2 | 9B | 130 BPM |
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