- BPM
- 83
- Key
- E Minor
- Camelot
- 9A
The Well-Tempered Clavier, Book I: Prelude No. 22 in B-Flat Minor, BWV 867 - Johann Sebastian Bach, Martin Stadtfeld Information
- Acousticness
- 99%
- Danceability
- 48%
- Energy
- 31%
- Instrumentalness
- 82%
- Liveness
- 13%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 79%
- Popularity
- 1%
- Loudness
- -18.829 dB
Summary
Johann Sebastian Bach, Martin Stadtfeld's ' "The Well-Tempered Clavier, Book I: Prelude No. 22 in B-Flat Minor, BWV 867" was released on its scheduled release date, January 23, 2009. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Well-Tempered Clavier, Book I: Prelude No. 22 in B-Flat Minor, BWV 867's duration is considered a little bit shorter than the average duration of a typical track. The song is number 43 out of 48 in Bach: The Well Temperated Piano 1 by Johann Sebastian Bach, Martin Stadtfeld. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Well-Tempered Clavier, Book I: Prelude No. 22 in B-Flat Minor, BWV 867 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Well-Tempered Clavier, Book I: Prelude No. 22 in B-Flat Minor, BWV 867 BPM
The tempo marking of The Well-Tempered Clavier, Book I: Prelude No. 22 in B-Flat Minor, BWV 867 by Johann Sebastian Bach, Martin Stadtfeld is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The Well-Tempered Clavier, Book I: Prelude No. 22 in B-Flat Minor, BWV 867 Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | |
 | Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | |
 | 6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | |
 | Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | |
 | Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | |
 | Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM |
- ISRC
- DEE860800818
- Label
- L-M Records/RCA Records