"The Lamentation of a Sinner ("O Lord turne not away thy face")" by William Corkine, William Parsons, Paul Hillier, His Majestie's Clerkes was released on April 1, 1996. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 23 in Early American Choral Music, Vol. 2: Anglo-American Psalmody 1550-1800 by Paul Hillier, His Majestie's Clerkes. The Lamentation of a Sinner ("O Lord turne not away thy face") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lamentation of a Sinner ("O Lord turne not away thy face") by William Corkine, William Parsons, Paul Hillier, His Majestie's Clerkes is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Lachrimae or Seven Tears: XV. Captain Piper his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Guitar Sonata No. 14 in F Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Pièces de viole, Book 5, Suite No. 1 in A Minor (Excerpts): XVI. Prélude en harpègement | Marin Marais, Laura Jeppesen, Catherine Liddell | C Major | 3 | 8B | 130 BPM | ||
Lute Sonata No. 5 in G Major, WeissSW 5: VI. Menuet | Silvius Leopold Weiss, José Miguel Moreno | D♭ Major | 1 | 3B | 103 BPM | ||
Corrente detta L'Auellina | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 2 | 8B | 79 BPM | ||
Corrente dicha la Cuella | Andrea Falconieri, La Ritirata, Josetxu Obregon | A Minor | 2 | 8A | 105 BPM | ||
Affetti musicali, Op. 1: No. 28, La Vetrestain | Biagio Marini, Marino Lagomarsino, Marco Vitali, Massimo Lonardi | A♭ Major | 10 | 4B | 90 BPM |
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