"Stella by Starlight (From "The Uninvited") [Arr. J. Mason for Orchestra] - Instrumental" by Victor Young, John Williams, Boston Pops Orchestra was released on May 4, 1993. The duration of Stella by Starlight (From "The Uninvited") [Arr. J. Mason for Orchestra] - Instrumental is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Stella by Starlight (From "The Uninvited") [Arr. J. Mason for Orchestra] - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Unforgettable". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Stella by Starlight (From "The Uninvited") [Arr. J. Mason for Orchestra] - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stella by Starlight (From "The Uninvited") [Arr. J. Mason for Orchestra] - Instrumental by Victor Young, John Williams, Boston Pops Orchestra having a BPM of 31 with a half-time of 16 BPM and a double-time of 62 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Age of Innocence | Elmer Bernstein | C Minor | 3 | 5A | 78 BPM | ||
Love Is for the Very Young (Main Title Theme) (From "The Bad and the Beautiful") | David Raksin | A♭ Major | 3 | 4B | 118 BPM | ||
4 Scottish Dances, Op. 59: No. 1, Pesante | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | C Minor | 2 | 5A | 116 BPM | ||
Fandango | Joseph Alessi and Philip Smith | C Minor | 3 | 5A | 71 BPM | ||
Singin' In The Rain | Brown, Boston Pops Orchestra, John Williams | D♭ Major | 4 | 3B | 75 BPM | ||
Charlier Study No.2 - Orchestration By Fabien Gabel | Theo Charlier, Eric Aubier | F Minor | 1 | 4A | 70 BPM | ||
Melodious Thunk | David Biedenbender, North Texas Wind Symphony, Eugene Migliaro Corporon | F♯ Major | 3 | 2B | 100 BPM | ||
Exodus - Theme | Ernest Gold | E Minor | 2 | 9A | 85 BPM | ||
Awakening Memories | Paul Fenoulhet | F Major | 3 | 7B | 110 BPM | ||
Fanfare pour preceder La Peri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A♭ Major | 1 | 4B | 75 BPM |
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