Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs made "Circe: VII. Air pour les Furies" available on May 31, 2023. With Circe: VII. Air pour les Furies being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 7 out of 110. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Circe: VII. Air pour les Furies's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Circe: VII. Air pour les Furies by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La parca | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique | B♭ Minor | 0 | 3A | 110 BPM | ||
Strophes ("Premiers transports que nul n'oublie") | Geoffrey Jubault, PHD, Marie PONS, Hector Berlioz | F Major | 1 | 7B | 115 BPM | ||
Messe à double chœur: Et resurrexit | Henri Desmarets, Jordi Savall, Le Concert Des Nations | F♯ Minor | 2 | 11A | 0 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": For Iris I Sigh (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 107 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Te Deum "de Lyon": V. Te per orbem terrarum | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, François Joron | B♭ Major | 4 | 6B | 106 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Nisi Dominus, RV 608: VIII. Sicut erat in principio | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Armide, LWV 71, Act II Scene 4: Laissons au tendre amour (Bergère) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Jeanne Lefort | F Major | 1 | 7B | 139 BPM |
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