"Sacri concentus: No. 3, Quem vidistis, pastores" by Hans Leo Hassler, Penalosa Ensemble had its release date on November 1, 2012. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Sacri concentus: No. 3, Quem vidistis, pastores's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Leo Hassler, Penalosa Ensemble's "Hans Leo Hassler: In dulci jubilo" album is number 10 out of 26. On top of that, Germany appears to be the country where this track was created. Sacri concentus: No. 3, Quem vidistis, pastores is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sacri concentus: No. 3, Quem vidistis, pastores by Hans Leo Hassler, Penalosa Ensemble to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Pie Jesu | Kim André Arnesen, Christianna Sullins, Kantorei, Alicia Rigsby, Joel Rinsema | D Major | 0 | 10B | 74 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
Bless The Lord, O My Soul (M. Ippolitov-Ivanov) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | E Major | 0 | 12B | 95 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Illumina le tenebre | Joan Szymko, Oregon Repertory Singers, Ethan Sperry | A Major | 0 | 11B | 87 BPM | ||
St. Patrick's Breastplate "I Bind unto Myself Today" (Version for Choir & Organ) | Charles Villiers Stanford, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | G Minor | 2 | 6A | 72 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM |