Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's ' "Ariane et Bacchus, Act IV: Entrée pour les démons (I)" was released on its scheduled release date, March 17, 2023. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 28 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Act IV: Entrée pour les démons (I) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Ariane et Bacchus, Act IV: Entrée pour les démons (I) by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - Passepied I & Ii Pour Les Mêmes | Jordi Savall, Marin Marais | D Minor | 1 | 7A | 112 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Trio Sonata for Violin, Lute and Basso Continuo in G Minor, RV 85: II. Larghetto | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Minor | 0 | 12A | 81 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Alcione, Acte I Scène 3: Tempête - "Quel bruit ! Quels terribles éclats!" | Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Le Concert Des Nations | D Minor | 6 | 7A | 110 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM |