September Malevolence's 'Departure' came out on 2004. With Departure being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Tomorrow We'll Wonder Where This Generation Gets Its Priorities From". In this album, this song's track order is #4. Based on our statistics, Departure's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Departure by September Malevolence having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Accolades | Maybeshewill | F♯ Major | 7 | 2B | 160 BPM | ||
Illumination Rings | Man Mountain | B Major | 6 | 1B | 140 BPM | ||
Ixnay On The Autoplay | Maybeshewill | A Major | 3 | 11B | 100 BPM | ||
Thee Barren Soil of Messaure | ef | C Major | 5 | 8B | 142 BPM | ||
Barren Lands of the Modern Dinosaur | If These Trees Could Talk | A Minor | 8 | 8A | 78 BPM | ||
Star-Crossed | The End Of The Ocean | C Major | 9 | 8B | 135 BPM | ||
Cemetery Of Frozen Ships | Tides From Nebula | A♭ Minor | 1 | 1A | 80 BPM | ||
The Shaping of a Helpless Joy | Saxon Shore | B♭ Major | 8 | 6B | 140 BPM | ||
When the Flowers Were Singing | Kwoon | G Minor | 2 | 6A | 75 BPM | ||
Those Days Are Gone | Sleep Maps | B Minor | 3 | 10A | 122 BPM |
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