On September 17, 2009, the song "Come Let Us Join the Roundelay" was released by William Beale, David James, Paul Elliott, Leigh Nixon, Paul Hillier. With Come Let Us Join the Roundelay being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Romantic Englishman". In this album, this song's track order is #6. In terms of popularity, Come Let Us Join the Roundelay is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Come Let Us Join the Roundelay by William Beale, David James, Paul Elliott, Leigh Nixon, Paul Hillier having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom: No. 2, Antiphon I (Psalm 102) | Benedict Sheehan, The Saint Tikhon Choir | A♭ Minor | 2 | 1A | 77 BPM | ||
Adoro Te Devote (Godhead Here in Hiding) | St. Thomas Aquinas, Gerard Manley Hopkins SJ | D Major | 1 | 10B | 129 BPM | ||
Ave virgo sanctissima | Francisco Guerrero, Ensemble Plus Ultra, His Majestys Sagbutts & Cornetts, Michael Noone | B♭ Minor | 1 | 3A | 133 BPM | ||
Angels We Have Heard on High | Edward Atkinson, the Saint Ambrose Schola Cantorum | C Major | 3 | 8B | 112 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | ||
O God of Earth and Altar | Blackburn Cathedral Choir, Greg Morris | D♭ Major | 2 | 3B | 97 BPM | ||
Was ich erträume | Kammerchor Wilhelmshaven | D Major | 0 | 10B | 67 BPM |
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