- BPM
- 71
- Key
- E Minor
- Camelot
- 9A
Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) - Traditional, Sanford Sylvan, Matt Haimovitz, Uccello Information
- Acousticness
- 85%
- Danceability
- 32%
- Energy
- 9%
- Instrumentalness
- 44%
- Liveness
- 18%
- Loudness
- 67%
- Speechiness
- 6%
- Valence
- 27%
- Popularity
- 0%
- Loudness
- -19.696 dB
Summary
Traditional, Sanford Sylvan, Matt Haimovitz, Uccello's 'Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble)' came out on December 7, 2018. The duration of Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 26 in Angel Heart: A Music Storybook by Jeremy Irons, Matt Haimovitz, Uccello, Michael Morgan. Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) BPM
The tempo marking of Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) by Traditional, Sanford Sylvan, Matt Haimovitz, Uccello is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Angel Heart, Pt. 2: Chapter 12a, Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Cradle Song | Catherine Strutt, Chris Duncan, Julian Thompson | D Major | 0 | 10B | 63 BPM | |
 | Jesu Joy of Man's Desiring | Organist Giles Taylor | D Major | 1 | 10B | 68 BPM | |
 | Ut Queant Laxis | Cantores Minores Wratislavienses; Edmund Kajdesz | C Major | 8 | 8B | 127 BPM | |
 | Bloomsberry Market | The Broadside Band | G Major | 1 | 9B | 79 BPM | |
 | To Thee We Sing | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | |
 | The Gartan Mother’s Lullaby | Desmond Earley, The Choral Scholars of University College Dublin, Hazel Conway, Geraldine O'Doherty | E♭ Major | 0 | 5B | 72 BPM | |
 | Troparion for Holy Wednesday | Kassia, Cappella Romana, members, Alexander Lingas | C Major | 1 | 8B | 137 BPM | |
 | So Ro, Godt Barn (Rest Now, Sweet Child) | Traditional, Trio Mediæval | D Minor | 0 | 7A | 129 BPM | |
 | Jesus, Joy of Man's Desiring - Studio | Radio Luxembourg Symphony Orchestra | G Major | 1 | 9B | 62 BPM | |
 | Miss De Angelis: III. Credo III | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 1 | 11A | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.507457971572876
End: 0.5210254192352295