"Piano Concerto in G Major, M. 83: 2. Adagio assai" by Maurice Ravel, Pierre-Laurent Aimard, Cleveland Orchestra, Pierre Boulez was released on January 1, 2010. Since Piano Concerto in G Major, M. 83: 2. Adagio assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Ravel: The Piano Concertos; Miroirs". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Piano Concerto in G Major, M. 83: 2. Adagio assai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in G Major, M. 83: 2. Adagio assai by Maurice Ravel, Pierre-Laurent Aimard, Cleveland Orchestra, Pierre Boulez having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor, Andante con moto | Johannes Brahms, Glenn Gould | E♭ Minor | 0 | 2A | 79 BPM | ||
Jeux d'eau | Maurice Ravel, Werner Haas | D♭ Minor | 1 | 12A | 70 BPM | ||
Piano Concerto No.2 in F, Op.102: 2. Andante | Dmitri Shostakovich, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | C Minor | 0 | 5A | 72 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto, Sehr langsam | Gustav Mahler, David Zinman, Tonhalle-Orchester Zürich | C Minor | 2 | 5A | 113 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Sonatine, M. 40: 3. Animé | Maurice Ravel, Martha Argerich | A Major | 0 | 11B | 178 BPM | ||
The Girl with the Flaxen Hair | Dubravka Tomšič | F♯ Major | 0 | 2B | 73 BPM | ||
Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
Fauré : Élégie in C minor, Op.24 | Gabriel Fauré, Roland Pidoux | A♭ Major | 0 | 4B | 92 BPM |
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