Georges Boulanger, Peter Igelhoff, Kleines Ensemble made "Gemuseplatte (Gemuse! Gemuse! Gemuse!)" available on April 2, 2013. The duration of Gemuseplatte (Gemuse! Gemuse! Gemuse!) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Gemuseplatte (Gemuse! Gemuse! Gemuse!)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Igelhoff, Georg Haentzschel's "Immortal Voices of German Radio: Peter Igelhoff, Vol. 1 (Recordings 1936-1941)" album is number 22 out of 26. Based on our statistics, Gemuseplatte (Gemuse! Gemuse! Gemuse!)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gemuseplatte (Gemuse! Gemuse! Gemuse!) by Georges Boulanger, Peter Igelhoff, Kleines Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Concierto para quinteto | Gidon Kremer | C Minor | 1 | 5A | 139 BPM | ||
Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner | D Major | 2 | 10B | 127 BPM | ||
Ungarischer Tanz (arr. for chamber ensemble) | Georges Boulanger, Milton J. Kazinczy, Modjewska Grogowilodi, Constantin Cornescu, Wieslaw Pipczynski, Czeresnia Zalleborski, Kontras Ocsi, Istvan Bodoczy, Prima Carezza | G Major | 2 | 9B | 99 BPM | ||
Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 90 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Deux Guitars | Traditional, Lakatos, Roby Lakatos | D Minor | 3 | 7A | 98 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
Scheherezade, Op. 35: II. The Story of the Kalendar Prince (Alternative Version) [Bonus Track] | Nikolai Rimsky-Korsakov, Borusan Istanbul Philharmonic Orchestra, Pelin Halkacı Alkın, Sascha Goetzel | E Minor | 0 | 9A | 121 BPM |
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