Teresa Teng made "別れの予感" available on 1980. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 歌道場, so we believe that "別れの予感" is a single. In terms of popularity, 別れの予感 is currently average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 別れの予感 by Teresa Teng is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
秋桜<コスモス> | Masashi Sada | C Minor | 3 | 5A | 134 BPM | ||
渚のシンドバッド | Pink Lady | B♭ Major | 9 | 6B | 146 BPM | ||
夜に傷ついて | Ann Lewis | B Minor | 7 | 10A | 74 BPM | ||
青春時代 | Koichi Morita, トップギャラン | E Minor | 7 | 9A | 156 BPM | ||
今日までそして明日から | Takuro Yoshida | F Major | 3 | 7B | 93 BPM | ||
恋人よ | Mayumi Itsuwa | E Minor | 2 | 9A | 139 BPM | ||
哀愁物語 〜哀愁にさようなら〜 | Kozo Murashita, 中林 由香 | B Minor | 6 | 10A | 160 BPM | ||
飛んでイスタンブール | Mayo Shono | F♯ Minor | 6 | 11A | 132 BPM | ||
襟裳岬 | Takuro Yoshida | G Minor | 6 | 6A | 95 BPM | ||
言葉にできない | Off Course | E♭ Major | 3 | 5B | 84 BPM |
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