"Recopilación de sonetos y villancicos: Morenica me era yo" by Juan Vásquez, The Royal Wind Music was released on April 21, 2023. With Recopilación de sonetos y villancicos: Morenica me era yo being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Orange Tree Courtyard - Renaissance Music in and around the Cathedral of Seville". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Recopilación de sonetos y villancicos: Morenica me era yo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Recopilación de sonetos y villancicos: Morenica me era yo by Juan Vásquez, The Royal Wind Music having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Francesca Lombardi Mazzulli, Cantar Lontano, Marco Mencoboni | D Minor | 0 | 7A | 116 BPM | ||
Ave verum corpus à 2-3 | Josquin des Prez, Cut Circle, Jesse Rodin | F♯ Major | 2 | 2B | 133 BPM | ||
Dances: Sighes | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 1 | 8B | 85 BPM | ||
La Favolla d'Apollo: 11. Dal vago e bel sereno a 6 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | D Minor | 1 | 7A | 77 BPM | ||
Geistliche und weltliche Lieder: XIV, Wohl dem, der den Herren fürchtet | Leonard Lechner, Kristen Witmer, Daniel Schreiber, Raphael Höhn, Wolf Matthias Friedrich, Capricornus Ensemble Stuttgart, Henning Wiegrabe | E♭ Major | 2 | 5B | 96 BPM | ||
Messa Della Domenica: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | D♭ Major | 2 | 3B | 130 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! (une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Anouk Defontenay, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - Ecce quomodo moritur iustus | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM |
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