Manuel Ponce, Alvaro Cendoya made "20 Piezas fáciles: No. 12, La sandunga" available on May 13, 2022. With 20 Piezas fáciles: No. 12, La sandunga being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Ponce: Complete Piano Works, Vol. 3". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 20 Piezas fáciles: No. 12, La sandunga's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 20 Piezas fáciles: No. 12, La sandunga by Manuel Ponce, Alvaro Cendoya having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ツェルニー100番 練習曲(上) 15番アレグロ・モデラート | ジョン・オコーナー | D♭ Major | 2 | 3B | 68 BPM | ||
6 Violin Sonatas and Partitas, BWV 1001-1006: Sonata No. 2 in A minor, BWV 1003: III. Andante (Transcr. for Piano by Alexander Siloti) | Katya Kramer-Lapin | D Major | 1 | 10B | 71 BPM | ||
Gradus Ad Parnassum, Op. 44: No. 19: Presto | Muzio Clementi, Danielle Laval | A Minor | 4 | 8A | 77 BPM | ||
Da geht ein Bach, NWV 10b | Friedrich Nietsche, Jeroen van Veen | B Major | 1 | 1B | 72 BPM | ||
Soledad (Solitude) | Ignacio Cervantes, Alvaro Cendoya | D Major | 0 | 10B | 113 BPM | ||
Looking at You | Tangolicious Ya | C Minor | 1 | 5A | 120 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Nocturne No. 6 in F Major, H 40 | John Field, Tyler Hay | B Major | 1 | 1B | 112 BPM | ||
Thème varié et Finale: Andante un poco mosso | Manuel Ponce, Davide Ficco | C Major | 1 | 8B | 139 BPM | ||
Prelude and Fugue No. 5 in D Major from 24 Preludes and Fugues for Piano, Op. 87: I. Prelude | Dmitri Shostakovich, Luca Quintavalle | A♭ Major | 0 | 4B | 82 BPM |
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