Hector Berlioz, Deborah Voigt, Gino Quilico, Orchestre Symphonique de Montréal, Charles Dutoit made "Les Troyens / Act 1: "Chorèbe..." - No. 3 Duo: "C'est lui!" - "Quitte-nous dès ce soir"" available on January 1, 1994. With Les Troyens / Act 1: "Chorèbe..." - No. 3 Duo: "C'est lui!" - "Quitte-nous dès ce soir" being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 62 in Berlioz: Les Troyens by Hector Berlioz, Deborah Voigt, Françoise Pollet, Gary Lakes, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Les Troyens / Act 1: "Chorèbe..." - No. 3 Duo: "C'est lui!" - "Quitte-nous dès ce soir" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Les Troyens / Act 1: "Chorèbe..." - No. 3 Duo: "C'est lui!" - "Quitte-nous dès ce soir" by Hector Berlioz, Deborah Voigt, Gino Quilico, Orchestre Symphonique de Montréal, Charles Dutoit is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Tristia, Op. 18, H.119: 1. Méditation religieuse, H.56b | Hector Berlioz, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 107 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 80 BPM | ||
Les nuits d'été, Op. 7: 3. Sur les lagunes | Hector Berlioz, Kiri Te Kanawa, Orchestre de Paris, Daniel Barenboim | E Major | 4 | 12B | 80 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: II. Allegro moderato a la polka | Bedřich Smetana, Pavel Haas Quartet | F Major | 1 | 7B | 115 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM |
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