"Matthäus-Passion, BWV 244, Seconda parte: Nr.42. Aria "Gebt mir meinen Jesum wieder"" by Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Christian Immler had its release date on March 11, 2022. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Seconda parte: Nr.42. Aria "Gebt mir meinen Jesum wieder"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout, Sabine Devieilhe, Lucile Richardot, Christian Immler, Reinoud Van Mechelen, Maitrise De Radio France's "J. S. Bach: Matthäus-Passion, BWV 244" album is number 13 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Matthäus-Passion, BWV 244, Seconda parte: Nr.42. Aria "Gebt mir meinen Jesum wieder" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Seconda parte: Nr.42. Aria "Gebt mir meinen Jesum wieder" by Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Christian Immler to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto | Johann Sebastian Bach, Monica Huggett, Marion Scott, Rachel Beckett, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM |