"Die Walküre / Act 1: "Winterstürme wichen dem Wonnemond"" by Richard Wagner, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci was released on January 1, 2006. The duration of Die Walküre / Act 1: "Winterstürme wichen dem Wonnemond" is about 3 minutes long, at 3:03. Based on our data, "Die Walküre / Act 1: "Winterstürme wichen dem Wonnemond"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mario del Monaco's "Mario del Monaco: Decca Recitals 1952-1969" album is number 8 out of 97. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Die Walküre / Act 1: "Winterstürme wichen dem Wonnemond" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Walküre / Act 1: "Winterstürme wichen dem Wonnemond" by Richard Wagner, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 140 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
Das Rheingold, WWV 86A, Scene 4: Scene 4: Abendlich strahlt der Sonne Auge (Wotan) | Richard Wagner, Matthias Goerne, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Minor | 6 | 4A | 178 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 173 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 1: Letter Scene. "Puskai pogibnu ya, no prezde" | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | C Major | 4 | 8B | 120 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM |
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