"Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen" by Robert Schumann, Anne Sofie von Otter, Bengt Forsberg was released on January 1, 1995. The duration of Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Schumann: Frauenliebe und -Leben, Op.42; 5 Lieder, Op. 40; Ausgewählte Lieder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen by Robert Schumann, Anne Sofie von Otter, Bengt Forsberg having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: e. Presto | Ludwig van Beethoven, Gabriele Lechner, Gretchen Eder, Elisabeth Mach, Jorge Pita, Andreas Esders, Gerhard Eder, Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor | C Major | 4 | 8B | 81 BPM | ||
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
Après un rêve | Gabriel Fauré, Renée Fleming, Jean-Yves Thibaudet | G Minor | 2 | 6A | 94 BPM | ||
Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Die Zauberflöte, K.620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, René Pape, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F Major | 0 | 7B | 136 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Cecilia Bartoli, Jean-Yves Thibaudet | A♭ Major | 1 | 4B | 108 BPM | ||
Dichterliebe, Op. 48: X. Hör' ich das Liedchen klingen | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | G Minor | 0 | 6A | 87 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM |
Section: 0.6665511131286621
End: 0.672724723815918