Johann Strauss II, Wiener Philharmoniker, Lorin Maazel's 'Morgenblätter, Op. 279' came out on January 1, 1998. Since Morgenblätter, Op. 279 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Johann Strauss I, Josef Strauss's "J. Strauss: Best of Waltzes & Polkas" album is number 3 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Morgenblätter, Op. 279 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Morgenblätter, Op. 279 by Johann Strauss II, Wiener Philharmoniker, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Blumenfest, Op. 111 (arr. L. Rosenthal): Blumenfest-Polka, Op. 111 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | E♭ Major | 1 | 5B | 123 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Moment musical in F Minor, Op. 94, No. 3 | Franz Schubert, Philippe Entremont | A♭ Major | 1 | 4B | 100 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): I. Allegro | Karoly Botvay | E Major | 1 | 12B | 95 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM |
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