"Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps..." by Thomas Adès, Tom Poster, Hugh Webb was released on February 24, 2004. The duration of Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps...'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 15 in America by Thomas Adès. The popularity of Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adès: Fool's Rhymes for Piano, Harp and Percussion, Op. 5: No. 2, We're All in the Dumps... by Thomas Adès, Tom Poster, Hugh Webb is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Dream of Egypt | Thomas Adès | E Major | 3 | 12B | 70 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Three Visions: II. Summerland | William Grant Still, Natalie Hinderas | G Major | 0 | 9B | 68 BPM | ||
Crisantemi | Giacomo Puccini, Brodsky Quartet | F♯ Minor | 0 | 11A | 70 BPM | ||
On an Overgrown Path, Series I: Unutterable Anguish | Leoš Janáček, Thomas Adès | F Major | 0 | 7B | 90 BPM | ||
Rêverie, L. 68 | Claude Debussy, Alice Sara Ott | G Minor | 0 | 6A | 68 BPM | ||
White Landscapes, Op. 47a: II. Stillness in Snow. Moderato | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | E Minor | 0 | 9A | 88 BPM | ||
Claudine A L’Ecole Print | Thomas Adès | A Major | 1 | 11B | 134 BPM |
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