Carl Philipp Emanuel Bach, Eckart Haupt, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's ' "Flute Concerto in A Major, Wq. 168, H. 438: III. Allegro assai (cadenza by E. Haupt)" was released on its scheduled release date, January 1, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 205 in Bach, C.P.E.: C.P.E. Bach Edition (Symphonies, Concertos, Keyboard Music, Flute Sonatas, Vocal Music) by Carl Philipp Emanuel Bach, Various Artists, Hartmut Haenchen, Max Pommer, Hermann Max. Flute Concerto in A Major, Wq. 168, H. 438: III. Allegro assai (cadenza by E. Haupt) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Flute Concerto in A Major, Wq. 168, H. 438: III. Allegro assai (cadenza by E. Haupt) by Carl Philipp Emanuel Bach, Eckart Haupt, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 2. Chor, "Gott, Du wirst seine Seele nicht in der Hölle lassen" (Chorus) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor | D Major | 4 | 10B | 140 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: II. Allegro | Carl Philipp Emanuel Bach, Emmanuel Pahud | A Minor | 0 | 8A | 106 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM |