"Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe" by Heinrich Schütz, Cenek Svoboda, Georg Poplutz, Tobias Mäthger, Oliver Kaden, Felix Rumpf, Andreas Arend, Hille Perl, Margret Baumgartl, Karina Müller, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann was released on February 1, 2014. Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Historia der Auferstehung Jesu Christi, SWV 50: III. Maria aber stund vor dem Grabe by Heinrich Schütz, Cenek Svoboda, Georg Poplutz, Tobias Mäthger, Oliver Kaden, Felix Rumpf, Andreas Arend, Hille Perl, Margret Baumgartl, Karina Müller, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Biber: Requiem a 15 in A Major: V. Sanctus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Dixit Dominus (Soloists, Chorus) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, David Erler, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung | B♭ Minor | 1 | 3A | 88 BPM | ||
Missa ex B: XXVI. Agnus Dei I - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 1 | 6B | 84 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat "Et exultavit spiritus meus" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Reinoud Van Mechelen, Samuel Boden, Collegium Vocale Gent | B Minor | 1 | 10A | 167 BPM |
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