Anonymous, Peter Igelhoff, A. Robinson, Comedian Harmonists made "Der Onkel Bumba aus Kalumba tanzt nur Rumba (arr. for vocal ensemble)" available on June 29, 2010. The duration of Der Onkel Bumba aus Kalumba tanzt nur Rumba (arr. for vocal ensemble) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Der Onkel Bumba aus Kalumba tanzt nur Rumba (arr. for vocal ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 26 in Best of Comedian Harmonists by Comedian Harmonists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Der Onkel Bumba aus Kalumba tanzt nur Rumba (arr. for vocal ensemble)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Der Onkel Bumba aus Kalumba tanzt nur Rumba (arr. for vocal ensemble) by Anonymous, Peter Igelhoff, A. Robinson, Comedian Harmonists is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
How Glorious Is Our Lord In Zion | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 3 | 7B | 128 BPM | ||
Teach Me, Oh Lord | The Sirin Choir, Choirmaster: Andrey Kotov | F Minor | 0 | 4A | 63 BPM | ||
No One who Comes to You | Lege Artis Chamber Choir, Boris Abalyan | B♭ Minor | 0 | 3A | 65 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Phos Hilaron | The Schola Cantorum of St. Peter's in the Loop | C Minor | 1 | 5A | 86 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Missa orbis factor - Kyrie | Nova Schola Gregoriana, Alberto Turco | A♭ Major | 0 | 4B | 107 BPM | ||
La Messe: Credo V | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A♭ Major | 0 | 4B | 78 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM |
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