Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig
Richard Smith
Accordiomania!
2:17 April 6, 2002
BPM
117
Key
C Major
Camelot
8B

Embed

Share Link

Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig - Richard Smith Information

Acousticness
50%
Danceability
92%
Energy
76%
Instrumentalness
98%
Liveness
11%
Loudness
92%
Speechiness
5%
Valence
97%
Popularity
Loudness
-4.584 dB

Summary

On April 6, 2002, the song "Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig" was released by Richard Smith. The duration of Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 15 in Accordiomania! by Richard Smith. In terms of popularity, Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig BPM

The tempo marking of Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig by Richard Smith is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Jigs: The McMaths of Silverburn - Jumpin' Jeemie - Bob Duncan of Parkhill - The Joiner's Jig Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Grass Roots by Joyce CoolingGrass RootsJoyce CoolingD Major510B115 BPM
Pastel by Richard SmithPastelRichard SmithA♭ Major74B82 BPM
Eric's Dream by Ken NavarroEric's DreamKen NavarroF Minor34A156 BPM
Till The End Of Time by Chieli Minucci & Special EFXTill The End Of TimeChieli Minucci & Special EFXB Minor710A95 BPM
How Sweet It is (To Be Loved by You) by Nick ColionneHow Sweet It is (To Be Loved by You)Nick ColionneD♭ Minor512A120 BPM
Skyway by Steve OliverSkywaySteve OliverA♭ Minor71A90 BPM
Casino - Extended Version by Acoustic AlchemyCasino - Extended VersionAcoustic AlchemyD Minor67A107 BPM
Friday@5 by Paul TaylorFriday@5Paul TaylorB♭ Minor63A113 BPM
Emerald City by Brian SimpsonEmerald CityBrian SimpsonD♭ Minor812A106 BPM
When We Dance by Ken NavarroWhen We DanceKen NavarroG Minor66A91 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5466744899749756

End: 0.5521087646484375