"Woman – She Was Waiting for Her Mother at the Station in Torino and You Know I Love You Baby but It's Getting Too Heavy to Laugh" by Shawn Phillips, Angèle Dubeau was released on February 25, 2014. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 14 in Blanc by La Pietà, Angèle Dubeau. In terms of popularity, Woman – She Was Waiting for Her Mother at the Station in Torino and You Know I Love You Baby but It's Getting Too Heavy to Laugh is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Woman – She Was Waiting for Her Mother at the Station in Torino and You Know I Love You Baby but It's Getting Too Heavy to Laugh by Shawn Phillips, Angèle Dubeau is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Forgiveness | Panu Aaltio | D Minor | 2 | 7A | 86 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. | Frédéric Chopin, Menahem Pressler | F♯ Minor | 0 | 11A | 134 BPM | ||
Concerto pour piano et orchestre en do majeur, No. 21, KV 467: II. Andante | Budapest Symphony Orchestra, Mara Dobrescu | F Major | 1 | 7B | 179 BPM | ||
Les Parapluies De Cherbourg - From "Les Parapluies De Cherbourg" | Michel Legrand | C Minor | 2 | 5A | 129 BPM | ||
Palladio | Karl Jenkins | D Minor | 1 | 7A | 106 BPM | ||
Love Story – Theme (Arr. Campbell) | Francis Lai, Jess Gillam, Ben Dawson, Charles Mutter, Michael Gray, Timothy Welch, Benjamin Hughes, Andrew Wood | C Minor | 2 | 5A | 78 BPM | ||
Seul | Christophe Julien | D Minor | 2 | 7A | 66 BPM | ||
Zephyr | Jiří Horák, Nigel Kennedy | D Minor | 3 | 7A | 78 BPM | ||
Le thème du violoncelle | Nicolas Jorelle, Hervé Chiapparin | F Major | 2 | 7B | 90 BPM | ||
The Wife (Arr. for Violin and String Ensemble by François Vallières and Angèle Dubeau) | Jocelyn Pook, Angèle Dubeau, La Pietà | B♭ Minor | 1 | 3A | 99 BPM |
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