Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon's 'Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: Recitativo: In tam solemni pompa' had a release date set for October 17, 2004. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi, A.: Sacred Music, Vol. 1 by Antonio Vivaldi, Aradia Ensemble, Kevin Mallon. The song's track number on the album is #17 out of 28 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: Recitativo: In tam solemni pompa is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: Recitativo: In tam solemni pompa by Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: Recitativo: In tam solemni pompa being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 132 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 3 | 6A | 108 BPM | ||
Concerto en fa majeur pour violon, 2 hautbois, basson, 2 cors, cordes et basse continue, RV 569: I. Allegro | Antonio Vivaldi, Louis-Pierre Bergeron, Louis-Philippe Marsolais, Pascale Giguère, Mathieu Lussier, Julia Harguindey, Les Violons du Roy, Kirsten Zander, Marjorie Tremblay | F Major | 2 | 7B | 120 BPM | ||
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Concerto For 2 Mandolins In G Major, RV 532: III. Allegro | Budapest Strings, Bela Sztankovitz, Zoltan Tokos, Antonio Vivaldi | D Major | 2 | 10B | 149 BPM |